Course description
This workshop introduces the unique challenges of longform storytelling, and helps writers develop strategies for approaching long projects, either screenplays or novels. Many writers are drawn to the page by character or language or theme, but story is the scaffold on which movies and novels depend. Over the course of the semester, we learn to work creatively with the tasks of story building. We begin with ideas—where and how do we find them? What kinds of ideas can carry a story? How can you turn a wobbly idea into one that works? We then consider character—who does the story belong to? How do their desires, problems, and drives give the story its essential energy? Then we turn to story development and structure, the primary work of the course: how do you keep an idea alive for two-hundred pages, or two hours? What elements help a story build energy and momentum, and deliver us to a satisfying close? We explore these essential story energies using writing exercises, examples from film and literature, and the shared experience of working writers.
