Poetry in America: From the Civil War through Modernism -

This course spans a critical era in American literature, beginning with antebellum and Civil War poetry, entering the twentieth century, and traversing the transformative modernist era. This course begins with the poetry of the American Civil War and the series of major events and social movements that followed it—including Reconstruction, the Jim Crow Era, and Manifest Destiny, to name just a few. Encountering such poets as Herman Melville, Julia Ward Howe, Walt Whitman, Edward Arlington Robinson, Paul Laurence Dunbar, James Weldon Johnson, Francis Ellen Watkins Harper, Emma Lazarus and W.E.B. DuBois, we examine the language of patriotism, pride, violence, loss, and memory inspired by the nation's greatest conflict. As we enter the twentieth century, we encounter modernism, a movement that spanned the decades from the 1910s to the mid-1940s, and whose poetry marked a clear break from past traditions and past forms.

We read such poets as Robert Frost, T.S. Eliot, Marianne Moore, Langston Hughes, William Carlos Williams, Edna St. Vincent Millay, Claude McKay, Dorothy Parker, and Wallace Stevens. We study how these poets employed the language of rejection and revolution, of making and remaking, of artistic appropriation and cultural emancipation. Traveling to the homes and workplaces of Robert Frost and Wallace Stevens; to the Poetry Foundation in Chicago, where the institution of American modernism was born; and even exploring the River Thames in the London of Eliot's The Waste Land, we see the sites that witnessed—and cultivated—the rise of American modernism.

The recorded lectures are from the HarvardX Poetry in America Series. Students may count ENGL E-182g (offered previously) or ENGL E-182m toward a degree, but not both.